• overview
    • publications
    • talks
    • curriculum vitae
    • recent work
    • favorites
    • mountains
    • northeast
    • southwest
    • plains
    • coast
    • urban
    • 4x5 film
    • panoramic film
  • blog
  • about
  • newsletter+contact
Menu

Galen Weld

researcher | photographer
  • research
    • overview
    • publications
    • talks
    • curriculum vitae
  • photography
    • recent work
    • favorites
    • mountains
    • northeast
    • southwest
    • plains
    • coast
    • urban
    • 4x5 film
    • panoramic film
  • blog
  • about
  • newsletter+contact
×

my blog

Stories about recent adventures, selected photos, and other miscellany. Sign up for my mailing list!

grand_canyon_film_panos_blog-13.jpg

Backpacking in Grand Canyon National Park with the DaYi 617

Galen Weld April 18, 2019

Over my spring break, the last week of March, I spent 6 days backpacking with family in a remote region of Grand Canyon National Park. I flew down with my DaYi 617, undecided on whether or not I would actually bring it on the trip. At the last minute, I decided to bring it, along with 6 rolls of Ektar 100, 2 rolls of Velvia 50, 2 rolls of Provia 100, a full-size tripod, and two digital bodies: a Fujifilm X-T20 with 10-24mm lens, and a Fujifilm X-T2 with 55-200mm lens. A heavy pack indeed!

I stored the camera wrapped in a large padded lens wrap, and kept it at the top of the back for easy access. At the onset of the trip, I shied away from using it out of a misguided sense of needing to preserve the film “for when I really need it,” but I quickly realized this was a silly attitude. If I’m carrying the damn thing, might as well use it as much as you can, right? So I shot almost every roll I brought.

Actually using the camera was as straightforward as always, and after getting into rhythm, I could drop my pack, get out the camera and tripod, compose and take the photo, and put everything back in only 2-3 minutes. This meant that as I was hiking, if I came upon a scene that seemed well-suited to the field of view and aspect ratio, I could shoot it without too much worrying about keeping companions waiting. I left the ground-glass for the camera in the car, since it didn’t seem like I would use it that much, and therefore I only used the DaYi in “point-and-shoot” mode, which is certainly speedier than the alternative.

I did not bring stand-alone lightmeter, and instead metered with the telephoto lens on my X-T2, which worked great. I keep the Fuji on a shoulder sling, so it’s easy to have at the ready for metering, and the long zoom lens makes for a great spot meter.

Arriving home, I developed the C-41 myself, and sent the E-6 off to Panda Lab for processing. My favorite images are below. Captions should contain location and film information.

 Reflections in a pot hole after sunrise, looking north up Kanab Creek. Provia 100, 1/15, f/20.

Reflections in a pot hole after sunrise, looking north up Kanab Creek. Provia 100, 1/15, f/20.

 Waterfalls in Upper Jumpup Canyon. Provia 100, 1/15, f/16.

Waterfalls in Upper Jumpup Canyon. Provia 100, 1/15, f/16.

 Margaret in Jumpup Canyon, below Indian Hollow. Provia 100, 1/2, f/19.

Margaret in Jumpup Canyon, below Indian Hollow. Provia 100, 1/2, f/19.

 Kanab Creek in flood. Ektar 100, 1/2, f/32.

Kanab Creek in flood. Ektar 100, 1/2, f/32.

 Greenery along the banks of Kanab Creek. Ektar 100, 1sec, f/18.

Greenery along the banks of Kanab Creek. Ektar 100, 1sec, f/18.

 Waterfall near the mouth of Scotty's Hollow. Velvia 50, 3sec, f/16.

Waterfall near the mouth of Scotty's Hollow. Velvia 50, 3sec, f/16.

 Terraces in Scotty's Hollow. Velvia 50, 1sec, f/20,

Terraces in Scotty's Hollow. Velvia 50, 1sec, f/20,

 Waterfall in Scotty's Hollow. Velvia 50, 1sec, f/18.

Waterfall in Scotty's Hollow. Velvia 50, 1sec, f/18.

 Stream in Scotty's Hollow. Velvia 50, 1/2, f/18.

Stream in Scotty's Hollow. Velvia 50, 1/2, f/18.

 Stream in Scotty's Hollow. Ektar 100, 1/2, f/18.

Stream in Scotty's Hollow. Ektar 100, 1/2, f/18.

 Stream in Scotty's Hollow. Ektar 100, 1/2, f/18.

Stream in Scotty's Hollow. Ektar 100, 1/2, f/18.

 Climbing out of Scotty's Hollow, looking back accross the Kanab Wilderness. Ektar 100, 1/30, f/13, with CPL.

Climbing out of Scotty's Hollow, looking back accross the Kanab Wilderness. Ektar 100, 1/30, f/13, with CPL.

← DIY 35mm Panoramic Camera - Attaching the Lens2018 in Pictures →

Search Posts

No results found
Archive Block
This block has no content yet. Items you add to the page connected to this block will display here. Learn more
Post Archive
 

Featured Posts

Featured
September 26, 2018
First thoughts and images: Dayi 617
September 26, 2018
September 26, 2018
August 24, 2017
Best of Summer '17
August 24, 2017
August 24, 2017
February 25, 2017
Photoessay: Adirondack Blue Hour Scenes
February 25, 2017
February 25, 2017

Powered by Squarespace